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VCarving for the fist time

Malc2098

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Name
Malcolm
While this currently isn't a work in progress, it was at the time I took the photos. :)

I wanted to repay a favour to a mate. A couple of year or so ago, I helped him design the motif ends of a coffee table he made.

B4AF57FA-25A4-4121-94AE-439604F3614E.jpeg

You see he and his wife's initials are A and V.

So with the CNC machine of mine, I thought it would be a nice idea if I could incorporate that motif into some coasters to go on that table.

I'd never done it before, so I had to learn the software to design it, and create the tool paths for the machine to mill with a cutter I'd never used before.

I'd also have to practice on some ordinary wood before selecting some nice contrasting timbers for the real job.

The principle is that you carve an indented image, motif or whatever, with a V cutter into the wood creating a 'female' of the image. Then you also carve in relief the 'male' inlay to go into the female.

BDE6C898-66A2-4885-BC53-A10EB4017FF7_1_201_a.jpeg

Female and male, about my third attempt.

92E15518-7A52-4199-83A1-04597A8B07A5.jpeg

Glue up.

8488A5BA-6AE0-4500-9034-A329AE739068_1_201_a.jpeg

Let dry for 24 hours.

94E7283D-C560-4937-A6A5-234E1EDDB038_1_201_a.jpeg

Use the cnc machine to mill away the waste of the male, leaving the inlay visible.

03383BE0-E146-48D1-A244-727C2BA8782D_1_201_a.jpeg

Mill the profile of the coaster.

535DE77E-5A17-4368-BDAD-E43B0D823394.jpeg

Proof of principle, but as ever more work to be done in getting it right.

Next, select some brilliant white maple to VCarve the female.

1459C7AF-D44F-4FBB-9D13-12B6681613AE_1_201_a.jpeg

But because they're coasters, I have to mill the depression first (so the wine glass doesn't slide off) and then tell the machine that the face of the depression is now the top of the carving surface.

Then try some darker timbers for the male.


19033304-8076-447C-B38B-E809FF31042A.jpeg



American Walnut; grain not dense enough so not cutting cleanly.



15FC5DD7-86F9-4CE2-AAF1-ABE7D16E0D39_1_201_a.jpeg

My old standby, Sapele.



97F1745C-EB2F-44DB-B74E-3A37F4CA7911_1_201_a.jpeg

And Padauk. This image shows that I machine a clearing cut first to mill the bulk out of the way with a small end mill, before…...


B0989D76-D772-41D0-89D0-E1E4459184FD_1_201_a.jpeg


…. milling with the 60 degree cutter to achieve the angled sides.



C5197131-ADF8-4F36-B966-F79E5B24AE22_1_201_a.jpeg

Time to glue, and leave for 24hours or more.

Then to remove the waste from the male, I used a bowl cutter at 0.1mm per pass. Videos at x4 speed.


And an end mill to cut the profile.

48681F10-F402-4C33-ABD4-AA0485BE3916.jpeg

The full set, 3 Sapele and 3 Padauk.
 
Last edited:
Very, very, very nice.
V and A were close enough to be given these in person earlier and as the saying goes a picture (or video) paints a thousand words and we both fully understand the process now. Very clever and thank you so very much.
 
Very, very, very nice.
V and A were close enough to be given these in person earlier and as the saying goes a picture (or video) paints a thousand words and we both fully understand the process now. Very clever and thank you so very much.
You're very welcome.
 
Well they look right at home now.
View attachment 54160


I thought occurred to me though Malcolm. Could you have made these using the same method you use to inlay the mother of pearl into the guitars?

The MoP inlays on the instruments are a direct inlay, right angled pockets. The MoP is only about 1.4mm thick, so that is similar to marquetry.

The effect of the inlays could be achieved by marquetry I think, but at a much higher skill level to get the repeatability.
 
While this currently isn't a work in progress, it was at the time I took the photos. :)

I wanted to repay a favour to a mate. A couple of year or so ago, I helped him design the motif ends of a coffee table he made.

View attachment 54102

You see he and his wife's initials are A and V.

So with the CNC machine of mine, I thought it would be a nice idea if I could incorporate that motif into some coasters to go on that table.

I'd never done it before, so I had to learn the software to design it, and create the tool paths for the machine to mill with a cutter I'd never used before.

I'd also have to practice on some ordinary wood before selecting some nice contrasting timbers for the real job.

The principle is that you carve an indented image, motif or whatever, with a V cutter into the wood creating a 'female' of the image. Then you also carve in relief the 'male' inlay to go into the female.

View attachment 54103

Female and male, about my third attempt.

View attachment 54105

Glue up.

View attachment 54104

Let dry for 24 hours.

View attachment 54106

Use the cnc machine to mill away the waste of the male, leaving the inlay visible.

View attachment 54107

Mill the profile of the coaster.

View attachment 54108

Proof of principle, but as ever more work to be done in getting it right.

Next, select some brilliant white maple to VCarve the female.

View attachment 54109

But because they're coasters, I have to mill the depression first (so the wine glass doesn't slide off) and then tell the machine that the face of the depression is now the top of the carving surface.

Then try some darker timbers for the male.


View attachment 54110



American Walnut; grain not dense enough so not cutting cleanly.



View attachment 54111

My old standby, Sapele.



View attachment 54112

And Padauk. This image shows that I machine a clearing cut first to mill the bulk out of the way with a small end mill, before…...


View attachment 54113


…. milling with the 60 degree cutter to achieve the angled sides.



View attachment 54114

Time to glue, and leave for 24hours or more.

Then to remove the waste from the male, I used a bowl cutter at 0.1mm per pass. Videos at x4 speed.


And an end mill to cut the profile.

View attachment 54115

The full set, 3 Sapele and 3 Padauk.

Beautiful job mate! Stunning. ❤️ (Bloody technology.) 😀 🙃

Achieving this with hand tools would be a bit tricky. The marquetry method would be one way, or parquetry using curved pieces. Or making the male form first, to establish and comfortably fit into the female form - (that could sound a bit umm, yeah...). Maybe at a 6mm thickness and no beers for a few days to maintain a very steady hand. Some woods would be more challenging than others for obvious reasons, especially around those small tight spots. There would be an array of colourful language thrown in the mix. Maybe the odd piece getting hurled across the workshop with great enthusiasm sounds promising.

Anyway, I hope you signed the undersides with the date.

Bravo! 😎
 
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